(Schroeder Romero & Shredder, 531 W 26th St, New York, NY, 10001)
Featuring James Bidgood, Brice Brown, Tom of Finland, Scott Hunt, Heather Johnson, Thomas Lanigan-Schmidt, Cary Leibowitz/Candyass, Jean Lowe, Robert Mapplethorpe, Uzi Parnes, Carl Plansky, John Waters, and Ken Weaver representing over forty years of work about and within ‘camp’ culture and aesthetic—an aesthetic, according to Susan Sontag’s Notes on Camp (1964), focused on artifice, frivolity, naïve middle-class pretentiousness, and ‘shocking’ excess.
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